Theory of a Deadman had a simple but daunting goal for its third album: to make the greatest record possible.
"I always try to remind the guys and myself that there are 20 bands lined up behind us just waiting for a chance to take our place," says frontman Tyler Connolly. "So that means we had to go in there and make a great record." With Scars & Souvenirs, the Vancouver trio has hit its mark.
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The balanced 13-track effort is the polished and passionate testament to seven years of hard work, heavy touring and diligent attention to its craft. From the swirling grind of "By the Way" to the nasty snarl of "Crutch" to the soaring melodicism of "Not Meant to Be" and "Wait For Me," Scars & Souvenirs is a broad-reaching endeavor that puts Connolly, guitarist Dave Brenner and bassist Dean Back high in the rock pantheon, achieving creative growth without sacrificing the hard-hitting power that got them here in the first place. |
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"We really dug hard on this one," Connolly notes. "The longer you're in a band, the more you write songs, the better you get. We've had such a great opportunity to figure out what to do better, how to write a better song and keep building and building. That's exciting for us."
Scars & Souvenirs began taking shape in February of 2007, as Theory was winding down from touring to support its second album, 2005's Gasoline, a slump-defying sophomore outing that launched the hits "No Surprise," "Say Goodbye," "Santa Monica" and "Hello Lonely (Walk Away From This)."
The group returned to Grammy-nominated producer Howard Benson, who in turn issued marching orders that set the tone for the project. "Before we even went into the studio, Howard wanted to gear this record up to sound huge," Connolly recalls about Benson's "all killer, no filler" approach to the record. "He said, ‘You have to go into a record with great songs.
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